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Communications - Movies and Television
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(Results for »
Sobchack
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"I am here". Die Darstellung der körperlichen Präsenz der Kamera im Film "The Revenant"
Author:
Jennifer Münster (Author)
Subject:
Communications - Movies and Television
Category:
Term Paper (Advanced seminar), 2018
Price:
US$ 17.99
Seltsame Tage als Leihkörper
Christiane Voss‘ Modell von Leiblichkeit im Kino und Bigelows STRANGE DAYS
Author:
B.A. Danny Gronmaier (Author)
Subject:
Film Science
Category:
Seminar Paper, 2012
Price:
US$ 16.99
Filmosophy - About Framptons Radically New Way of Understanding Cinema
Author:
Martin Thiele (Author)
Subject:
Film Science
Category:
Term Paper, 2009
Price:
US$ 16.99
Der Film als Einfühlungsobjekt. Von der durchlässigen Leinwand zur aufgebrochenen Haut
Über subjektiv erschütternde Filmszenen
Author:
Natalie Zoghbi (Author)
Subject:
Film Science
Category:
Bachelor Thesis, 2014
Price:
US$ 20.99
Seeing the seen, hearing the heard. Körperlichkeit und Audio-Vision in Kathryn Bigelows "Strange Days"
Author:
Danny Gronmaier (Author)
Subject:
Film Science
Category:
Master's Thesis, 2013
Price:
US$ 31.99
Sight and Sound in Derek Jarman's film "Blue"
Author:
Vivien Cahn (Author)
Subject:
Communications - Movies and Television
Category:
Term Paper, 2015
Price:
US$ 14.99
Horrorfilm. Angst und Faszination
Warum empfindet man Angst, während der Rezeption von Horrorfilmen, obwohl es um Fiktion geht und warum setzt man sich solchen Angstsituationen immer wieder gerne aus?
Author:
Rachele Orsola Bugini (Author)
Subject:
Film Science
Category:
Term Paper, 2017
Price:
US$ 14.99
