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Artist and Audience Relationship in "The Artist is Present" from Marina Abramovic
Term Paper (Advanced seminar) 2019 -
The Digitalization of the Distribution Process in the Music Industry
The Differences Between Two ArtistsSeminar Paper 2018 -
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Stages of Queerness
Representations of Sexual Otherness in British Drama between 1900 and 1968Textbook 2018 -
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The Question of Naturalism in George Moore's "Esther Waters"
Term Paper 2018 -
Rage Against The Machine or the Sound of Resistance
Term Paper 2018 -
The Problematic of the Kaleidoscopic Postcolonial Discourse
In Margaret Atwood's "Surfacing", Anita Desai's "Fire on the Mountain" and Chinua Achebe's "Things Fall Apart"Term Paper 2018 -
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A Stylistic Analysis of Selected Stories in Achebe’s "Girls At War And Other Stories"
A comparative studyTerm Paper 2020 -
On the Animal Masks in the Autobiographical Graphic Novel "MAUS" by Art Spiegelman
Trivialization of the Holocaust?Term Paper 2019 -
Rap Music and Cultural Appropriation in Hari Kunzru's "White Tears"
Academic Paper 2018 -
The Question of 'Genius' in Vladimir Nabokov's "The Gift"
Seminar Paper 2018 -
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The effects of morphological instruction in the higher EFL classroom
An empirical studyProject Report 2018 -
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Jamaican Creole in Reggae Music. An Overview over Linguistic Phenomena
Term Paper (Advanced seminar) 2020 -
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Countering Established Conventions. Re-Inventions of Femininity in Maya Deren's Avant-Garde Cinema
Term Paper (Advanced seminar) 2019 -
Appropriation of global influences to the South African film production
Academic Paper 2018 -
Representations of Femininity and Sexuality in Hip-Hop Music
Term Paper 2018