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Arier
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Unterrichtsstunde: Affekte und musikalisch-rhetorische Figuren
J. S. Bach "Johannes-Passion" - Szenische Interpretation
Author:
Thomas Grasse (Author)
Subject:
Musicology - Miscellaneous
Category:
Lesson Plan, 2009
Price:
US$ 6.99
Gesungene und gesprochene Aspekte in der Oper "L’incoronazione di Poppea"
Sprechgesang, eigentlicher Gesang, Liedgesang (vor der strikten Trennung von Rezitativ und Arie) – Wann „singen“ Nerone und Poppea tatsächlich?
Author:
Sophie Houriez (Author)
Subject:
Musicology - Miscellaneous
Category:
Seminar Paper, 2010
Price:
US$ 4.99
Veränderungen der Da Capo-Arie in der "Opera Buffa". Am Beispiel der Oper "Le nozze di Figaro" von Wolfgang Amadeus Mozart
Author:
Lukas Hüttemann (Author)
Subject:
Musicology - Historical musicology
Category:
Term Paper, 2017
Price:
US$ 6.99
Die Darstellung und Sprache der Ausgrenzung "Muggelstämmiger" in der Harry-Potter Welt Band VII "Heiligtümer des Todes" im Vergleich zu den Mechanismen der NS-Zeit
Author:
Anonymous
Subject:
Didactics for the subject German - Miscellaneous
Category:
Pre-University Paper, 2020
Price:
US$ 8.99
Rezeption der Figuren von Faust und Mephisto aus Goethes "Faust" im nationalsozialistischen Deutschland
Author:
Aaron Sabbe (Author)
Subject:
German Studies - Literature of History, Eras
Category:
Essay, 2020
Price:
US$ 6.99