Excerpt
Table of Contents
1. Introduction
2. Performativity: A definition
2.1. Embodiment
2.2. Presence
3. Marina Abramović
4. The Artist Is Present
4.1 Embodiment and Presence in Abramović’s performance
4.2 Participation and resulting relationship between artist and visitor
4.3 Possible interferences with audience’s participation
5. Conclusion
6. Works Cited
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- Quote paper
- Lucy-Melina Laschewski (Author), 2019, Artist and Audience Relationship in "The Artist is Present" from Marina Abramovic, Munich, GRIN Verlag, https://www.grin.com/document/888888
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