Escapism and Nostalgia in the Film Musical

The Case of "Mamma Mia!"


Bachelor Thesis, 2017

29 Pages, Grade: 2,7


Excerpt


Table of Contents

1. Introduction

2. The Film Musical
2.1 Definition of Film Musical
2.2 Evolution of Film Musical in Pop-Context

3. Features of Film Musical
3.1 Escapism
3.2 Nostalgia
3.3 Participation

4. The Phenomenon ABBA
4.1 ABBA – the Swedish Pop Band
4.2 Factors of Success
4.2.1 The Band in Pop-Context
4.2.2 Audience
4.2.3 Artificiality
4.2.4 Personal Relations within ABBA

5. Mamma Mia! –the Film Musical
5.1 Development of Mamma Mia! – The Musical to Mamma Mia! - The Film
5.2 Reasons for Production of Mamma Mia! – The Musical under Judy Craymer
5.3 Realization under the film director Phyllida Lloyd

6. Escapism, Nostalgia, and Participation in Mamma Mia!
6.1 Examples of Escapism in Mamma Mia!
6.1.1 Examples of Nostalgia in Mamma Mia!
6.1.2 Examples of Participation in Mamma Mia!

7. Prospects of the presence of ABBA in the future

Works Cited

Excerpt out of 29 pages

Details

Title
Escapism and Nostalgia in the Film Musical
Subtitle
The Case of "Mamma Mia!"
College
Technical University of Braunschweig  (Anglistik und Amerikanistik)
Grade
2,7
Author
Year
2017
Pages
29
Catalog Number
V462459
ISBN (eBook)
9783668915886
ISBN (Book)
9783668915893
Language
English
Keywords
Nostalgia, Escapism, Film Musical, Film, Pop Music, Participation, ABBA, Audience, Artificiality
Quote paper
Cindy Herrmann (Author), 2017, Escapism and Nostalgia in the Film Musical, Munich, GRIN Verlag, https://www.grin.com/document/462459

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