The Fetishization of Female Trauma. How Mozart Constructs Sovereignty Through Maleness and Denies Sovereignty Through Femaleness


Literature Review, 2016

9 Pages, Grade: A


Abstract or Introduction

I aim to illuminate the sexual, familial, and the political power structures in "Don Giovanni" through the use of Lauren Berlant’s theory of the intimate public sphere and Rousseau’s theory of the body politic.

More specifically, I wish to examine how through maleness, sovereignty is constructed and through femaleness, sovereignty is denied. Going beyond the contents of the libretto, I also endeavor to explore how Mozart fetishizes and desires female trauma through the music in "Don Giovanni".

Details

Title
The Fetishization of Female Trauma. How Mozart Constructs Sovereignty Through Maleness and Denies Sovereignty Through Femaleness
Course
Seminar II
Grade
A
Author
Year
2016
Pages
9
Catalog Number
V346597
ISBN (eBook)
9783668359727
ISBN (Book)
9783668359734
File size
385 KB
Language
English
Keywords
Don Giovanni, Mozart, Lauren Berlant, Rousseau, body politic, intimate public sphere, critical theory
Quote paper
Lena Dassonville (Author), 2016, The Fetishization of Female Trauma. How Mozart Constructs Sovereignty Through Maleness and Denies Sovereignty Through Femaleness, Munich, GRIN Verlag, https://www.grin.com/document/346597

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Title: The Fetishization of Female Trauma. How Mozart Constructs Sovereignty Through Maleness and Denies Sovereignty Through Femaleness



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