Extracto
Table of Contents
I. The background of Iranian writing ̶ a short postcolonial survey
II. Forms: Narratological Categories for the Analysis of the Genre
II.1 Islamic Spirituality and Transcendence
II.2 Identity Formation as one Central Problem of Islamic Writing
II.3 Identity as a Religious Matter: The Quest for the Meaning of Life
II.4 Failure
II.5 Powerlessness
II.6 The Quest for a Meaning of Life
II.7 Hybrid Description and Hybrid Identity under the Focus of Islam and Islamic Fundamentalism
III. Close Analysis: Reading Lolita in Tehran
IV. Outlook Reading Lolita in Tehran
V. Close Analysis: Lipstick Jihad (2005)
VI. Outlook: Lipstick Jihad
VII. Outlook
VIII. Bibliography
Final del extracto de 42 páginas
- Citar trabajo
- Dr. Matthias Dickert (Autor), 2016, The presentation of the Iranian woman. A critical reflection of Azar Nafisi's novel "Reading Lolita in Tehran" (2004) and Azadeh Moaveni's "Lipstick Jihad" (2005), Múnich, GRIN Verlag, https://www.grin.com/document/338396
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