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Web 2.0 & Alternative Methods of Online Music Rights Management


Thèse de Master, 2011

59 Pages, Note: 14/20


Extrait


Table of Contents

1 Introduction
A Web 2.0
B Copyright Infringement on the Internet
C Copyright Infringement Issues of Web 2.0

2 Legislative Framework
A International Agreements
B E.U. Legislation

3 Liability for Copyright Infringement
A Liability of ISPs
(a) Direct Liability
(b) Indirect Liability
B Liability of Social Network Users
C Safe Harbor and Fair Use, the U.S. and E.U. Doctrines

4 Online Copyright Enforcement & Digital Rights Management
A Content Filtering
B Graduated Response - French, Italian, and the U.K. Systems
(a) France
(b) Ireland
(c) Italy
(d) The United Kingdom
(e) Other Countries
(f) The European Union

5 Discussion on the Current Online Trends
A The New Path - From P2P Sharing to Cyberlockers
B Effects of Online Music Sharing on the Market

6 Alternative Methods of Online Rights Management
A Take the ‘Middlemen’ out of the Equation
B Alternative Compensation Methods for Artists & Internet Subscription Levies
(a) Alternative Compensation Methods as a New Business Model
(b) Revising the Legislative Framework

7 Conclusion

8 References

Fin de l'extrait de 59 pages

Résumé des informations

Titre
Web 2.0 & Alternative Methods of Online Music Rights Management
Université
Leuven Catholic University  (The Centre for Advanced Legal Studies (C.A.L.S.))
Cours
International & European Copyright Law
Note
14/20
Auteur
Année
2011
Pages
59
N° de catalogue
V177556
ISBN (ebook)
9783640992935
ISBN (Livre)
9783640992485
Taille d'un fichier
908 KB
Langue
anglais
Annotations
This paper aims to propose alternative approaches to online copyright management in the music industry, which allows for a more fair balance between copyright owners’ exclusive rights and the fundamental rights of individuals. On the one hand, it leads to a more liberal online environment where individuals freely and legally exchange copyrighted media, on the other hand it secures the right owners’ economic rights and thus the incentive for creation is still effective.
Mots clés
copyright, music, file exchange, web 2.0, torrent, graduated response, three strikes, US, intellectual property, EU
Citation du texte
Baris Isik (Auteur), 2011, Web 2.0 & Alternative Methods of Online Music Rights Management , Munich, GRIN Verlag, https://www.grin.com/document/177556

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