Community Authorship

An Exploration of the Copyright Bargain in Traditional Irish Music


Master's Thesis, 2008

55 Pages, Grade: 1


Excerpt


Table of Contents

Abstract

Chapter 1: Introduction

Chapter 2: Methodology
2.1: Internet Ethnography
2.2: Reviewing the Literature

Chapter 3: The Idea of Authorship
3.1: John Locke andBeyond
3.2: Post-Enlightenment Ideas on Creativity
3.3: Community in the Authorship Process
3.4: Authorship in the Irish Tradition
3.5: Resistance to the ideas of Copyright

Chapter 4: Copyrighting Traditional Culture
4.1: Examples from Ethnomusicology
4.2: Commercial Considerations of Copyright
4.3: Copyright in Irish Culture
4.4: The Future of Copyright in Ireland

Chapter 5: Conclusion
5.1: Irish Music as an Oral Culture
5.2: "Authorship"in Oral Cultures
5.3: How To Recognise the Community

Bibliography
Print Sources
Online Sources
Personal Interviews
Related Websites

Appendix A: IntellectualPrivate Property
A.I: Definitions and Law
A.2: A Brief History of Copyright
A.3: Current Copyright Law

Appendix B: Analysis of Tune Evolution in Sweeney

Excerpt out of 55 pages

Details

Title
Community Authorship
Subtitle
An Exploration of the Copyright Bargain in Traditional Irish Music
College
University of Limerick  (Irish World Academy of Music and Dance)
Course
Ethnomusicology
Grade
1
Author
Year
2008
Pages
55
Catalog Number
V174145
ISBN (eBook)
9783640945306
ISBN (Book)
9783640945511
File size
786 KB
Language
English
Notes
1st Class Honours.
Keywords
ethnomusicology, musicology, copyright, law, irish traditional music, ireland, ip, intellectual property, orality, oral culture, creativity
Quote paper
Breandán Ó Nualltáin (Author), 2008, Community Authorship, Munich, GRIN Verlag, https://www.grin.com/document/174145

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