Short Stories - Volume VI

Content

Plated Article

A Poor Man's Tale of a Patent

The Poor Relation's Story

Prince Bull

Public Life of Mr. Tulrumble – Once Mayor of Mudfog

The Schoolboy's Story

The Seven Poor Travellers

The Signal Man

Plated Article

Putting up for the night in one of the chiefest towns of Staffordshire, I find it to be by no means a lively town. In fact, it is as dull and dead a town as any one could desire not to see. It seems as if its whole population might be imprisoned in its Railway Station. The Refreshment Room at that Station is a vortex of dissipation compared with the extinct town-inn, the Dodo, in the dull High Street.

Why High Street? Why not rather Low Street, Flat Street, Low- Spirited Street, Used-up Street? Where are the people who belong to the High Street? Can they all be dispersed over the face of the country, seeking the unfortunate Strolling Manager who decamped from the mouldy little Theatre last week, in the beginning of his season (as his play-bills testify), repentantly resolved to bring him back, and feed him, and be entertained? Or, can they all be gathered to their fathers in the two old churchyards near to the High Street - retirement into which churchyards appears to be a mere ceremony, there is so very little life outside their confines, and such small discernible difference between being buried alive in the town, and buried dead in the town tombs? Over the way, opposite to the staring blank bow windows of the Dodo, are a little ironmonger's shop, a little tailor's shop (with a picture of the Fashions in the small window and a bandy-legged baby on the pavement staring at it) - a watchmakers shop, where all the clocks and watches must be stopped, I am sure, for they could never have the courage to go, with the town in general, and the Dodo in particular, looking at them. Shade of Miss Linwood, erst of Leicester Square, London, thou art welcome here, and thy retreat is fitly chosen! I myself was one of the last visitors to that awful storehouse of thy life's work, where an anchorite old man and woman took my shilling with a solemn wonder, and conducting me to a gloomy sepulchre of needlework dropping to pieces with dust and age and shrouded in twilight at high noon, left me there, chilled, frightened, and alone. And now, in ghostly letters on all the dead walls of this dead town, I read thy honoured name, and find that thy Last Supper, worked in Berlin Wool, invites inspection as a powerful excitement!

Where are the people who are bidden with so much cry to this feast of little wool? Where are they? Who are they? They are not the bandy-legged baby studying the fashions in the tailor's window. They are not the two earthy ploughmen lounging outside the saddler's shop, in the stiff square where the Town Hall stands, like a brick and mortar private on parade. They are not the landlady of the Dodo in the empty bar, whose eye had trouble in it and no welcome, when I asked for dinner. They are not the turnkeys of the Town Jail, looking out of the gateway in their uniforms, as if they had locked up all the balance (as my American friends would say) of the inhabitants, and could now rest a little. They are not the two dusty millers in the white mill down by the river, where the great water-wheel goes heavily round and round, like the monotonous days and nights in this forgotten place. Then who are they, for there is no one else? No; this deponent maketh oath and saith that there is no one else, save and except the waiter at the Dodo, now laying the cloth. I have paced the streets, and stared at the houses, and am come back to the blank bow window of the Dodo; and the town clocks strike seven, and the reluctant echoes seem to cry, 'Don't wake us!' and the bandy-legged baby has gone home to bed.

If the Dodo were only a gregarious bird - if he had only some confused idea of making a comfortable nest - I could hope to get through the hours between this and bed-time, without being consumed by devouring melancholy. But, the Dodo's habits are all wrong. It provides me with a trackless desert of sitting-room, with a chair for every day in the year, a table for every month, and a waste of sideboard where a lonely China vase pines in a corner for its mate long departed, and will never make a match with the candlestick in the opposite corner if it live till Doomsday. The Dodo has nothing in the larder. Even now, I behold the Boots returning with my sole in a piece of paper; and with that portion of my dinner, the Boots, perceiving me at the blank bow window, slaps his leg as he comes across the road, pretending it is something else. The Dodo excludes the outer air. When I mount up to my bedroom, a smell of closeness and flue gets lazily up my nose like sleepy snuff. The loose little bits of carpet writhe under my tread, and take wormy shapes. I don't know the ridiculous man in the looking-glass, beyond having met him once or twice in a dish-cover - and I can never shave HIM to-morrow morning! The Dodo is narrow-minded as to towels; expects me to wash on a freemason's apron without the trimming: when I asked for soap, gives me a stony-hearted something white, with no more lather in it than the Elgin marbles. The Dodo has seen better days, and possesses interminable stables at the back - silent, grass-grown, broken-windowed, horseless.

This mournful bird can fry a sole, however, which is much. Can cook a steak, too, which is more. I wonder where it gets its Sherry? If I were to send my pint of wine to some famous chemist to be analysed, what would it turn out to be made of? It tastes of pepper, sugar, bitter-almonds, vinegar, warm knives, any flat drinks, and a little brandy. Would it unman a Spanish exile by reminding him of his native land at all? I think not. If there really be any townspeople out of the churchyards, and if a caravan of them ever do dine, with a bottle of wine per man, in this desert of the Dodo, it must make good for the doctor next day!

Where was the waiter born? How did he come here? Has he any hope of getting away from here? Does he ever receive a letter, or take a ride upon the railway, or see anything but the Dodo? Perhaps he has seen the Berlin Wool. He appears to have a silent sorrow on him, and it may be that. He clears the table; draws the dingy curtains of the great bow window, which so unwillingly consent to meet, that they must be pinned together; leaves me by the fire with my pint decanter, and a little thin funnel-shaped wine-glass, and a plate of pale biscuits - in themselves engendering desperation.

No book, no newspaper! I left the Arabian Nights in the railway carriage, and have nothing to read but Bradshaw, and 'that way madness lies.' Remembering what prisoners and ship-wrecked mariners have done to exercise their minds in solitude, I repeat the multiplication table, the pence table, and the shilling table: which are all the tables I happen to know. What if I write something? The Dodo keeps no pens but steel pens; and those I always stick through the paper, and can turn to no other account.

What am I to do? Even if I could have the bandy-legged baby knocked up and brought here, I could offer him nothing but sherry, and that would be the death of him. He would never hold up his head again if he touched it. I can't go to bed, because I have conceived a mortal hatred for my bedroom; and I can't go away, because there is no train for my place of destination until morning. To burn the biscuits will be but a fleeting joy; still it is a temporary relief, and here they go on the fire! Shall I break the plate? First let me look at the back, and see who made it. COPELAND.

Copeland! Stop a moment. Was it yesterday I visited Copeland's works, and saw them making plates? In the confusion of travelling about, it might be yesterday or it might be yesterday month; but I think it was yesterday. I appeal to the plate. The plate says, decidedly, yesterday. I find the plate, as I look at it, growing into a companion.

Don't you remember (says the plate) how you steamed away, yesterday morning, in the bright sun and the east wind, along the valley of the sparkling Trent? Don't you recollect how many kilns you flew past, looking like the bowls of gigantic tobacco-pipes, cut short off from the stem and turned upside down? And the fires - and the smoke - and the roads made with bits of crockery, as if all the plates and dishes in the civilised world had been Macadamised, expressly for the laming of all the horses? Of course I do!

And don't you remember (says the plate) how you alighted at Stoke - a picturesque heap of houses, kilns, smoke, wharfs, canals, and river, lying (as was most appropriate) in a basin - and how, after climbing up the sides of the basin to look at the prospect, you trundled down again at a walking-match pace, and straight proceeded to my father's, Copeland's, where the whole of my family, high and low, rich and poor, are turned out upon the world from our nursery and seminary, covering some fourteen acres of ground? And don't you remember what we spring from:- heaps of lumps of clay, partially prepared and cleaned in Devonshire and Dorsetshire, whence said clay principally comes - and hills of flint, without which we should want our ringing sound, and should never be musical? And as to the flint, don't you recollect that it is first burnt in kilns, and is then laid under the four iron feet of a demon slave, subject to violent stamping fits, who, when they come on, stamps away insanely with his four iron legs, and would crush all the flint in the Isle of Thanet to powder, without leaving off? And as to the clay, don't you recollect how it is put into mills or teazers, and is sliced, and dug, and cut at, by endless knives, clogged and sticky, but persistent - and is pressed out of that machine through a square trough, whose form it takes - and is cut off in square lumps and thrown into a vat, and there mixed with water, and beaten to a pulp by paddle-wheels - and is then run into a rough house, all rugged beams and ladders splashed with white, - superintended by Grindoff the Miller in his working clothes, all splashed with white, - where it passes through no end of machinery- moved sieves all splashed with white, arranged in an ascending scale of fineness (some so fine, that three hundred silk threads cross each other in a single square inch of their surface), and all in a violent state of ague with their teeth for ever chattering, and their bodies for ever shivering! And as to the flint again, isn't it mashed and mollified and troubled and soothed, exactly as rags are in a paper-mill, until it is reduced to a pap so fine that it contains no atom of 'grit' perceptible to the nicest taste? And as to the flint and the clay together, are they not, after all this, mixed in the proportion of five of clay to one of flint, and isn't the compound - known as 'slip' - run into oblong troughs, where its superfluous moisture may evaporate; and finally, isn't it slapped and banged and beaten and patted and kneaded and wedged and knocked about like butter, until it becomes a beautiful grey dough, ready for the potter's use?

In regard of the potter, popularly so called (says the plate), you don't mean to say you have forgotten that a workman called a Thrower is the man under whose hand this grey dough takes the shapes of the simpler household vessels as quickly as the eye can follow? You don't mean to say you cannot call him up before you, sitting, with his attendant woman, at his potter's wheel - a disc about the size of a dinner-plate, revolving on two drums slowly or quickly as he wills - who made you a complete breakfast-set for a bachelor, as a good-humoured little off-hand joke? You remember how he took up as much dough as he wanted, and, throwing it on his wheel, in a moment fashioned it into a teacup - caught up more clay and made a saucer - a larger dab and whirled it into a teapot - winked at a smaller dab and converted it into the lid of the teapot, accurately fitting by the measurement of his eye alone - coaxed a middle-sized dab for two seconds, broke it, turned it over at the rim, and made a milkpot - laughed, and turned out a slop- basin - coughed, and provided for the sugar? Neither, I think, are you oblivious of the newer mode of making various articles, but especially basins, according to which improvement a mould revolves instead of a disc? For you MUST remember (says the plate) how you saw the mould of a little basin spinning round and round, and how the workmen smoothed and pressed a handful of dough upon it, and how with an instrument called a profile (a piece of wood, representing the profile of a basin's foot) he cleverly scraped and carved the ring which makes the base of any such basin, and then took the basin off the lathe like a doughy skull-cap to be dried, and afterwards (in what is called a green state) to be put into a second lathe, there to be finished and burnished with a steel burnisher? And as to moulding in general (says the plate), it can't be necessary for me to remind you that all ornamental articles, and indeed all articles not quite circular, are made in moulds. For you must remember how you saw the vegetable dishes, for example, being made in moulds; and how the handles of teacups, and the spouts of teapots, and the feet of tureens, and so forth, are all made in little separate moulds, and are each stuck on to the body corporate, of which it is destined to form a part, with a stuff called 'slag,' as quickly as you can recollect it. Further, you learnt - you know you did - in the same visit, how the beautiful sculptures in the delicate new material called Parian, are all constructed in moulds; how, into that material, animal bones are ground up, because the phosphate of lime contained in bones makes it translucent; how everything is moulded, before going into the fire, one-fourth larger than it is intended to come out of the fire, because it shrinks in that proportion in the intense heat; how, when a figure shrinks unequally, it is spoiled - emerging from the furnace a misshapen birth; a big head and a little body, or a little head and a big body, or a Quasimodo with long arms and short legs, or a Miss Biffin with neither legs nor arms worth mentioning.

And as to the Kilns, in which the firing takes place, and in which some of the more precious articles are burnt repeatedly, in various stages of their process towards completion, - as to the Kilns (says the plate, warming with the recollection), if you don't remember THEM with a horrible interest, what did you ever go to Copeland's for? When you stood inside of one of those inverted bowls of a Pre-Adamite tobacco-pipe, looking up at the blue sky through the open top far off, as you might have looked up from a well, sunk under the centre of the pavement of the Pantheon at Rome, had you the least idea where you were? And when you found yourself surrounded, in that dome-shaped cavern, by innumerable columns of an unearthly order of architecture, supporting nothing, and squeezed close together as if a Pre-Adamite Samson had taken a vast Hall in his arms and crushed it into the smallest possible space, had you the least idea what they were? No (says the plate), of course not! And when you found that each of those pillars was a pile of ingeniously made vessels of coarse clay - called Saggers - looking, when separate, like raised-pies for the table of the mighty Giant Blunderbore, and now all full of various articles of pottery ranged in them in baking order, the bottom of each vessel serving for the cover of the one below, and the whole Kiln rapidly filling with these, tier upon tier, until the last workman should have barely room to crawl out, before the closing of the jagged aperture in the wall and the kindling of the gradual fire; did you not stand amazed to think that all the year round these dread chambers are heating, white hot - and cooling - and filling - and emptying - and being bricked up - and broken open - humanly speaking, for ever and ever? To be sure you did! And standing in one of those Kilns nearly full, and seeing a free crow shoot across the aperture a-top, and learning how the fire would wax hotter and hotter by slow degrees, and would cool similarly through a space of from forty to sixty hours, did no remembrance of the days when human clay was burnt oppress you? Yes. I think so! I suspect that some fancy of a fiery haze and a shortening breath, and a growing heat, and a gasping prayer; and a figure in black interposing between you and the sky (as figures in black are very apt to do), and looking down, before it grew too hot to look and live, upon the Heretic in his edifying agony - I say I suspect (says the plate) that some such fancy was pretty strong upon you when you went out into the air, and blessed God for the bright spring day and the degenerate times!

After that, I needn't remind you what a relief it was to see the simplest process of ornamenting this 'biscuit' (as it is called when baked) with brown circles and blue trees - converting it into the common crockery-ware that is exported to Africa, and used in cottages at home. For (says the plate) I am well persuaded that you bear in mind how those particular jugs and mugs were once more set upon a lathe and put in motion; and how a man blew the brown colour (having a strong natural affinity with the material in that condition) on them from a blowpipe as they twirled; and how his daughter, with a common brush, dropped blotches of blue upon them in the right places; and how, tilting the blotches upside down, she made them run into rude images of trees, and there an end.

And didn't you see (says the plate) planted upon my own brother that astounding blue willow, with knobbed and gnarled trunk, and foliage of blue ostrich feathers, which gives our family the title of 'willow pattern'? And didn't you observe, transferred upon him at the same time, that blue bridge which spans nothing, growing out from the roots of the willow; and the three blue Chinese going over it into a blue temple, which has a fine crop of blue bushes sprouting out of the roof; and a blue boat sailing above them, the mast of which is burglariously sticking itself into the foundations of a blue villa, suspended sky-high, surmounted by a lump of blue rock, sky-higher, and a couple of billing blue birds, sky-highest - together with the rest of that amusing blue landscape, which has, in deference to our revered ancestors of the Cerulean Empire, and in defiance of every known law of perspective, adorned millions of our family ever since the days of platters? Didn't you inspect the copper-plate on which my pattern was deeply engraved? Didn't you perceive an impression of it taken in cobalt colour at a cylindrical press, upon a leaf of thin paper, streaming from a plunge-bath of soap and water? Wasn't the paper impression daintily spread, by a light-fingered damsel (you KNOW you admired her!), over the surface of the plate, and the back of the paper rubbed prodigiously hard - with a long tight roll of flannel, tied up like a round of hung beef - without so much as ruffling the paper, wet as it was? Then (says the plate), was not the paper washed away with a sponge, and didn't there appear, set off upon the plate, THIS identical piece of Pre-Raphaelite blue distemper which you now behold? Not to be denied! I had seen all this - and more. I had been shown, at Copeland's, patterns of beautiful design, in faultless perspective, which are causing the ugly old willow to wither out of public favour; and which, being quite as cheap, insinuate good wholesome natural art into the humblest households. When Mr. and Mrs. Sprat have satisfied their material tastes by that equal division of fat and lean which has made their MENAGE immortal; and have, after the elegant tradition, 'licked the platter clean,' they can - thanks to modern artists in clay - feast their intellectual tastes upon excellent delineations of natural objects.

This reflection prompts me to transfer my attention from the blue plate to the forlorn but cheerfully painted vase on the sideboard. And surely (says the plate) you have not forgotten how the outlines of such groups of flowers as you see there, are printed, just as I was printed, and are afterwards shaded and filled in with metallic colours by women and girls? As to the aristocracy of our order, made of the finer clay-porcelain peers and peeresses; - the slabs, and panels, and table-tops, and tazze; the endless nobility and gentry of dessert, breakfast, and tea services; the gemmed perfume bottles, and scarlet and gold salvers; you saw that they were painted by artists, with metallic colours laid on with camel-hair pencils, and afterwards burnt in.

And talking of burning in (says the plate), didn't you find that every subject, from the willow pattern to the landscape after Turner - having been framed upon clay or porcelain biscuit - has to be glazed? Of course, you saw the glaze - composed of various vitreous materials - laid over every article; and of course you witnessed the close imprisonment of each piece in saggers upon the separate system rigidly enforced by means of fine-pointed earthenware stilts placed between the articles to prevent the slightest communication or contact. We had in my time - and I suppose it is the same now - fourteen hours' firing to fix the glaze and to make it 'run' all over us equally, so as to put a good shiny and unscratchable surface upon us. Doubtless, you observed that one sort of glaze - called printing-body - is burnt into the better sort of ware BEFORE it is printed. Upon this you saw some of the finest steel engravings transferred, to be fixed by an after glazing - didn't you? Why, of course you did!

Of course I did. I had seen and enjoyed everything that the plate recalled to me, and had beheld with admiration how the rotatory motion which keeps this ball of ours in its place in the great scheme, with all its busy mites upon it, was necessary throughout the process, and could only be dispensed with in the fire. So, listening to the plate's reminders, and musing upon them, I got through the evening after all, and went to bed. I made but one sleep of it - for which I have no doubt I am also indebted to the plate - and left the lonely Dodo in the morning, quite at peace with it, before the bandy-legged baby was up.

A Poor Man's Tale of a Patent

I am not used to writing for print. What working-man, that never labours less (some Mondays, and Christmas Time and Easter Time excepted) than twelve or fourteen hours a day, is? But I have been asked to put down, plain, what I have got to say; and so I take pen-and-ink, and do it to the best of my power, hoping defects will find excuse.

I was born nigh London, but have worked in a shop at Birmingham (what you would call Manufactories, we call Shops), almost ever since I was out of my time. I served my apprenticeship at Deptford, nigh where I was born, and I am a smith by trade. My name is John. I have been called 'Old John' ever since I was nineteen year of age, on account of not having much hair. I am fifty-six year of age at the present time, and I don't find myself with more hair, nor yet with less, to signify, than at nineteen year of age aforesaid.

I have been married five and thirty year, come next April. I was married on All Fools' Day. Let them laugh that will. I won a good wife that day, and it was as sensible a day to me as ever I had.

We have had a matter of ten children, six whereof are living. My eldest son is engineer in the Italian steam-packet 'Mezzo Giorno, plying between Marseilles and Naples, and calling at Genoa, Leghorn, and Civita Vecchia.' He was a good workman. He invented a many useful little things that brought him in - nothing. I have two sons doing well at Sydney, New South Wales - single, when last heard from. One of my sons (James) went wild and for a soldier, where he was shot in India, living six weeks in hospital with a musket-ball lodged in his shoulder-blade, which he wrote with his own hand. He was the best looking. One of my two daughters (Mary) is comfortable in her circumstances, but water on the chest. The other (Charlotte), her husband run away from her in the basest manner, and she and her three children live with us. The youngest, six year old, has a turn for mechanics.

I am not a Chartist, and I never was. I don't mean to say but what I see a good many public points to complain of, still I don't think that's the way to set them right. If I did think so, I should be a Chartist. But I don't think so, and I am not a Chartist. I read the paper, and hear discussion, at what we call 'a parlour,' in Birmingham, and I know many good men and workmen who are Chartists. Note. Not Physical force.

It won't be took as boastful in me, if I make the remark (for I can't put down what I have got to say, without putting that down before going any further), that I have always been of an ingenious turn. I once got twenty pound by a screw, and it's in use now. I have been twenty year, off and on, completing an Invention and perfecting it. I perfected of it, last Christmas Eve at ten o'clock at night. Me and my wife stood and let some tears fall over the Model, when it was done and I brought her in to take a look at it.

A friend of mine, by the name of William Butcher, is a Chartist. Moderate. He is a good speaker. He is very animated. I have often heard him deliver that what is, at every turn, in the way of us working-men, is, that too many places have been made, in the course of time, to provide for people that never ought to have been provided for; and that we have to obey forms and to pay fees to support those places when we shouldn't ought. 'True,' (delivers William Butcher), 'all the public has to do this, but it falls heaviest on the working-man, because he has least to spare; and likewise because impediments shouldn't be put in his way, when he wants redress of wrong or furtherance of right.' Note. I have wrote down those words from William Butcher's own mouth. W. B. delivering them fresh for the aforesaid purpose.

Now, to my Model again. There it was, perfected of, on Christmas Eve, gone nigh a year, at ten o'clock at night. All the money I could spare I had laid out upon the Model; and when times was bad, or my daughter Charlotte's children sickly, or both, it had stood still, months at a spell. I had pulled it to pieces, and made it over again with improvements, I don't know how often. There it stood, at last, a perfected Model as aforesaid.

William Butcher and me had a long talk, Christmas Day, respecting of the Model. William is very sensible. But sometimes cranky. William said, 'What will you do with it, John?' I said, 'Patent it.' William said, 'How patent it, John?' I said, 'By taking out a Patent.' William then delivered that the law of Patent was a cruel wrong. William said, 'John, if you make your invention public, before you get a Patent, any one may rob you of the fruits of your hard work. You are put in a cleft stick, John. Either you must drive a bargain very much against yourself, by getting a party to come forward beforehand with the great expenses of the Patent; or, you must be put about, from post to pillar, among so many parties, trying to make a better bargain for yourself, and showing your invention, that your invention will be took from you over your head.' I said, 'William Butcher, are you cranky? You are sometimes cranky.' William said, 'No, John, I tell you the truth;' which he then delivered more at length. I said to W. B. I would Patent the invention myself.

My wife's brother, George Bury of West Bromwich (his wife unfortunately took to drinking, made away with everything, and seventeen times committed to Birmingham Jail before happy release in every point of view), left my wife, his sister, when he died, a legacy of one hundred and twenty-eight pound ten, Bank of England Stocks. Me and my wife never broke into that money yet. Note. We might come to be old and past our work. We now agreed to Patent the invention. We said we would make a hole in it - I mean in the aforesaid money - and Patent the invention. William Butcher wrote me a letter to Thomas Joy, in London. T. J. is a carpenter, six foot four in height, and plays quoits well. He lives in Chelsea, London, by the church. I got leave from the shop, to be took on again when I come back. I am a good workman. Not a Teetotaller; but never drunk. When the Christmas holidays were over, I went up to London by the Parliamentary Train, and hired a lodging for a week with Thomas Joy. He is married. He has one son gone to sea.

Thomas Joy delivered (from a book he had) that the first step to be took, in Patenting the invention, was to prepare a petition unto Queen Victoria. William Butcher had delivered similar, and drawn it up. Note. William is a ready writer. A declaration before a Master in Chancery was to be added to it. That, we likewise drew up. After a deal of trouble I found out a Master, in Southampton Buildings, Chancery Lane, nigh Temple Bar, where I made the declaration, and paid eighteen-pence. I was told to take the declaration and petition to the Home Office, in Whitehall, where I left it to be signed by the Home Secretary (after I had found the office out), and where I paid two pound, two, and sixpence. In six days he signed it, and I was told to take it to the Attorney-General's chambers, and leave it there for a report. I did so, and paid four pound, four. Note. Nobody all through, ever thankful for their money, but all uncivil.

My lodging at Thomas Joy's was now hired for another week, whereof five days were gone. The Attorney-General made what they called a Report-of-course (my invention being, as William Butcher had delivered before starting, unopposed), and I was sent back with it to the Home Office. They made a Copy of it, which was called a Warrant. For this warrant, I paid seven pound, thirteen, and six. It was sent to the Queen, to sign. The Queen sent it back, signed. The Home Secretary signed it again. The gentleman throwed it at me when I called, and said, 'Now take it to the Patent Office in Lincoln's Inn.' I was then in my third week at Thomas Joy's living very sparing, on account of fees. I found myself losing heart.

At the Patent Office in Lincoln's Inn, they made 'a draft of the Queen's bill,' of my invention, and a 'docket of the bill.' I paid five pound, ten, and six, for this. They 'engrossed two copies of the bill; one for the Signet Office, and one for the Privy-Seal Office.' I paid one pound, seven, and six, for this. Stamp duty over and above, three pound. The Engrossing Clerk of the same office engrossed the Queen's bill for signature. I paid him one pound, one. Stamp-duty, again, one pound, ten. I was next to take the Queen's bill to the Attorney-General again, and get it signed again. I took it, and paid five pound more. I fetched it away, and took it to the Home Secretary again. He sent it to the Queen again. She signed it again. I paid seven pound, thirteen, and six, more, for this. I had been over a month at Thomas Joy's. I was quite wore out, patience and pocket.

Thomas Joy delivered all this, as it went on, to William Butcher. William Butcher delivered it again to three Birmingham Parlours, from which it got to all the other Parlours, and was took, as I have been told since, right through all the shops in the North of England. Note. William Butcher delivered, at his Parlour, in a speech, that it was a Patent way of making Chartists.

But I hadn't nigh done yet. The Queen's bill was to be took to the Signet Office in Somerset House, Strand - where the stamp shop is. The Clerk of the Signet made 'a Signet bill for the Lord Keeper of the Privy Seal.' I paid him four pound, seven. The Clerk of the Lord Keeper of the Privy Seal made 'a Privy-Seal bill for the Lord Chancellor.' I paid him, four pound, two. The Privy-Seal bill was handed over to the Clerk of the Patents, who engrossed the aforesaid. I paid him five pound, seventeen, and eight; at the same time, I paid Stamp-duty for the Patent, in one lump, thirty pound. I next paid for 'boxes for the Patent,' nine and sixpence. Note. Thomas Joy would have made the same at a profit for eighteen-pence. I next paid 'fees to the Deputy, the Lord Chancellor's Purse-bearer,' two pound, two. I next paid 'fees to the Clerk of the Hanapar,' seven pound, thirteen. I next paid 'fees to the Deputy Clerk of the Hanaper,' ten shillings. I next paid, to the Lord Chancellor again, one pound, eleven, and six. Last of all, I paid 'fees to the Deputy Sealer, and Deputy Chaff-wax,' ten shillings and sixpence. I had lodged at Thomas Joy's over six weeks, and the unopposed Patent for my invention, for England only, had cost me ninety-six pound, seven, and eightpence. If I had taken it out for the United Kingdom, it would have cost me more than three hundred pound.

Now, teaching had not come up but very limited when I was young. So much the worse for me you'll say. I say the same. William Butcher is twenty year younger than me. He knows a hundred year more. If William Butcher had wanted to Patent an invention, he might have been sharper than myself when hustled backwards and forwards among all those offices, though I doubt if so patient. Note. William being sometimes cranky, and consider porters, messengers, and clerks.

Thereby I say nothing of my being tired of my life, while I was Patenting my invention. But I put this: Is it reasonable to make a man feel as if, in inventing an ingenious improvement meant to do good, he had done something wrong? How else can a man feel, when he is met by such difficulties at every turn? All inventors taking out a Patent MUST feel so. And look at the expense. How hard on me, and how hard on the country if there's any merit in me (and my invention is took up now, I am thankful to say, and doing well), to put me to all that expense before I can move a finger! Make the addition yourself, and it'll come to ninety-six pound, seven, and eightpence. No more, and no less.

What can I say against William Butcher, about places? Look at the Home Secretary, the Attorney-General, the Patent Office, the Engrossing Clerk, the Lord Chancellor, the Privy Seal, the Clerk of the Patents, the Lord Chancellor's Purse-bearer, the Clerk of the Hanaper, the Deputy Clerk of the Hanaper, the Deputy Sealer, and the Deputy Chaff-wax. No man in England could get a Patent for an Indian-rubber band, or an iron-hoop, without feeing all of them. Some of them, over and over again. I went through thirty-five stages. I began with the Queen upon the Throne. I ended with the Deputy Chaff-wax. Note. I should like to see the Deputy Chaff-wax. Is it a man, or what is it?

What I had to tell, I have told. I have wrote it down. I hope it's plain. Not so much in the handwriting (though nothing to boast of there), as in the sense of it. I will now conclude with Thomas Joy. Thomas said to me, when we parted, 'John, if the laws of this country were as honest as they ought to be, you would have come to London - registered an exact description and drawing of your invention - paid half-a-crown or so for doing of it - and therein and thereby have got your Patent.'

My opinion is the same as Thomas Joy. Further. In William Butcher's delivering 'that the whole gang of Hanapers and Chaff-waxes must be done away with, and that England has been chaffed and waxed sufficient,' I agree.

The Poor Relation's Story

He was very reluctant to take precedence of so many respected members of the family, by beginning the round of stories they were to relate as they sat in a goodly circle by the Christmas fire; and he modestly suggested that it would be more correct if “John our esteemed host” (whose health he begged to drink) would have the kindness to begin. For as to himself, he said, he was so little used to lead the way that really— But as they all cried out here, that he must begin, and agreed with one voice that he might, could, would, and should begin, he left off rubbing his hands, and took his legs out from under his armchair, and did begin.

I have no doubt (said the poor relation) that I shall surprise the assembled members of our family, and particularly John our esteemed host to whom we are so much indebted for the great hospitality with which he has this day entertained us, by the confession I am going to make. But, if you do me the honour to be surprised at anything that falls from a person so unimportant in the family as I am, I can only say that I shall be scrupulously accurate in all I relate.

I am not what I am supposed to be. I am quite another thing. Perhaps before I go further, I had better glance at what I AM supposed to be.

It is supposed, unless I mistake—the assembled members of our family will correct me if I do, which is very likely (here the poor relation looked mildly about him for contradiction); that I am nobody’s enemy but my own. That I never met with any particular success in anything. That I failed in business because I was unbusiness-like and credulous—in not being prepared for the interested designs of my partner. That I failed in love, because I was ridiculously trustful—in thinking it impossible that Christiana could deceive me. That I failed in my expectations from my uncle Chill, on account of not being as sharp as he could have wished in worldly matters. That, through life, I have been rather put upon and disappointed in a general way. That I am at present a bachelor of between fifty-nine and sixty years of age, living on a limited income in the form of a quarterly allowance, to which I see that John our esteemed host wishes me to make no further allusion.

The supposition as to my present pursuits and habits is to the following effect.

I live in a lodging in the Clapham Road—a very clean back room, in a very respectable house—where I am expected not to be at home in the day-time, unless poorly; and which I usually leave in the morning at nine o’clock, on pretence of going to business. I take my breakfast—my roll and butter, and my half-pint of coffee—at the old-established coffee-shop near Westminster Bridge; and then I go into the City—I don’t know why—and sit in Garraway’s Coffee House, and on ‘Change, and walk about, and look into a few offices and counting-houses where some of my relations or acquaintance are so good as to tolerate me, and where I stand by the fire if the weather happens to be cold. I get through the day in this way until five o’clock, and then I dine: at a cost, on the average, of one and threepence. Having still a little money to spend on my evening’s entertainment, I look into the old-established coffee-shop as I go home, and take my cup of tea, and perhaps my bit of toast. So, as the large hand of the clock makes its way round to the morning hour again, I make my way round to the Clapham Road again, and go to bed when I get to my lodging—fire being expensive, and being objected to by the family on account of its giving trouble and making a dirt.

Sometimes, one of my relations or acquaintances is so obliging as to ask me to dinner. Those are holiday occasions, and then I generally walk in the Park. I am a solitary man, and seldom walk with anybody. Not that I am avoided because I am shabby; for I am not at all shabby, having always a very good suit of black on (or rather Oxford mixture, which has the appearance of black and wears much better); but I have got into a habit of speaking low, and being rather silent, and my spirits are not high, and I am sensible that I am not an attractive companion.

The only exception to this general rule is the child of my first cousin, Little Frank. I have a particular affection for that child, and he takes very kindly to me. He is a diffident boy by nature; and in a crowd he is soon run over, as I may say, and forgotten. He and I, however, get on exceedingly well. I have a fancy that the poor child will in time succeed to my peculiar position in the family. We talk but little; still, we understand each other. We walk about, hand in hand; and without much speaking he knows what I mean, and I know what he means. When he was very little indeed, I used to take him to the windows of the toy-shops, and show him the toys inside. It is surprising how soon he found out that I would have made him a great many presents if I had been in circumstances to do it.

Little Frank and I go and look at the outside of the Monument—he is very fond of the Monument—and at the Bridges, and at all the sights that are free. On two of my birthdays, we have dined on e-la-mode beef, and gone at half-price to the play, and been deeply interested. I was once walking with him in Lombard Street, which we often visit on account of my having mentioned to him that there are great riches there—he is very fond of Lombard Street—when a gentleman said to me as he passed by, “Sir, your little son has dropped his glove.” I assure you, if you will excuse my remarking on so trivial a circumstance, this accidental mention of the child as mine, quite touched my heart and brought the foolish tears into my eyes.

When Little Frank is sent to school in the country, I shall be very much at a loss what to do with myself, but I have the intention of walking down there once a month and seeing him on a half holiday. I am told he will then be at play upon the Heath; and if my visits should be objected to, as unsettling the child, I can see him from a distance without his seeing me, and walk back again. His mother comes of a highly genteel family, and rather disapproves, I am aware, of our being too much together. I know that I am not calculated to improve his retiring disposition; but I think he would miss me beyond the feeling of the moment if we were wholly separated.

When I die in the Clapham Road, I shall not leave much more in this world than I shall take out of it; but, I happen to have a miniature of a bright-faced boy, with a curling head, and an open shirt-frill waving down his bosom (my mother had it taken for me, but I can’t believe that it was ever like), which will be worth nothing to sell, and which I shall beg may he given to Frank. I have written my dear boy a little letter with it, in which I have told him that I felt very sorry to part from him, though bound to confess that I knew no reason why I should remain here. I have given him some short advice, the best in my power, to take warning of the consequences of being nobody’s enemy but his own; and I have endeavoured to comfort him for what I fear he will consider a bereavement, by pointing out to him, that I was only a superfluous something to every one but him; and that having by some means failed to find a place in this great assembly, I am better out of it.

Such (said the poor relation, clearing his throat and beginning to speak a little louder) is the general impression about me. Now, it is a remarkable circumstance which forms the aim and purpose of my story, that this is all wrong. This is not my life, and these are not my habits. I do not even live in the Clapham Road. Comparatively speaking, I am very seldom there. I reside, mostly, in a—I am almost ashamed to say the word, it sounds so full of pretension—in a Castle. I do not mean that it is an old baronial habitation, but still it is a building always known to every one by the name of a Castle. In it, I preserve the particulars of my history; they run thus:

It was when I first took John Spatter (who had been my clerk) into partnership, and when I was still a young man of not more than five- and-twenty, residing in the house of my uncle Chill, from whom I had considerable expectations, that I ventured to propose to Christiana. I had loved Christiana a long time. She was very beautiful, and very winning in all respects. I rather mistrusted her widowed mother, who I feared was of a plotting and mercenary turn of mind; but, I thought as well of her as I could, for Christiana’s sake. I never had loved any one but Christiana, and she had been all the world, and O far more than all the world, to me, from our childhood!